The epistemological investigations concerning the visual arts of Dairy sculpture and video proposed in this essay begin in a performative field of research on the Greek islands of Kos and Crete.The intentional act of creating images from my own shadow Wind Lamp meeting archeological objects brings an insightful approach to an update of these aesthetic languages, inspired by semantic displacement and ageless nomadism phenomena.The research is based on cognition, philosophy and body studies, as well as the modern concepts of minimalist art.